Tage alTer Musik regensburg konzert 16 SoLISten rebecca Bottone Sopran Joanna Sojka Sopran Xavier Sabata Countertenor zbigniew Malak Tenor robin Bailey Tenor Lisandro Abadie Bass CAPeLLA CrACoVIenSIS Jan tomasz Adamus Cembalo & Leitung Chor Michalina Bienkiewicz, Magdalena Łukawska, Antonina ruda, Joanna Wacławik Sopran Łukasz Dulewicz, Matylda Sielska, Matylda Staśto-Kotuła, Ilona Szczepańska Alt Dominik Czernik, Bartosz Gorzkowski, Szczepan Kosior, Piotr Szewczyk Tenor Przemysław Bałka, Adam Dobek, Adam radnicki, Sebastian Szumski Bass Orchester Katarzyna olszewska, zofia Wojniakiewicz, robert Bachara, Maciej Czepielowski Violine 1 Seojin Kim, Jadwiga Czepielowska, Agnieszka Świątkowska, tomasz Góra Violine 2 natalia reichert, Mariusz Grochowski Viola Monika Hartmann Violoncello Anna Bator Kontrabass Dominika Staszkiewicz, Wioletta Wysopal Traversflöte Petra Ambrosi, Georg Fritz Oboe tomasz Wesołowski Fagott Jiri tarantik, Petr Salek Horn Paweł Gajewski, Marian Magiera Trompete tomasz Sobaniec Pauken Andreas Arend Theorbe Klaudia Łoboda Cembalo AUSFüHrenDe samson (recitative): „Vain were their art if try’d“ Harapha (recitative): „You may thuy may“ samson (recitative): „In nothing I’ll comply that’s scandalous“ Micah (recitative): „So may’st thou act“ samson (recitative): „Let but that spirit“ samson (accompagnato): „Then shall I make“ samson (air): „Thus when the sun from’s wat’ry bed“ Micah (accompagnato): „With might endued above” Micah (air) and Chorus of israelites: „The holy One of Israel“ – „To fame immortal go“ Szene 2 Micah (recitative): „Old Manoa“ Manoa (recitative): „I come“ a Philistine (air) & Chorus of Philistines: „Great Dagon has subdu’d our foe“ Manoa (recitative): „What noise of joy was that“ Micah (recitative): „They shout“ Manoa (recitative): „Could my inheritance“ Micah (recitative): „Sons care“ Manoa (air): „How willing my paternal love“ Micah (recitative): „Your hopes of his deliv’ry seem not vain“ Manoa (recitative): „I know your friendly minds“ a symphony of horror and confusion –Presto Manoa (recitative): „Heav’n! What noise“ Chorus of Philistines at a distance: „Hear us, our God“ Micah (recitative): „Noise call you this“ Manoa (recitative): „Ruin indeed“ Micah (recitative): „Thy son is rather slaying them“ Szene 3 Messenger (recitative): „Where shall I run“ Micah (recitative): „The accident was loud“ Messenger (recitative): „Let me recover breath“ Manoa (recitative): „Tell us the sum“ Messenger (recitative): „Gaza yet stands“ Manoa (recitative): „Sad“ Messenger (recitative): „By Samson done“ Manoa (recitative): „The sorrow lessons“ Messenger (recitative): „O Manoa“ Manoa (recitative): „Suspense“ Messenger (recitative): „Then take the worst“ Manoa (recitative): „The worst indeed“ Micah (recitative): „Yet, ere we give the reins to grief“ Messenger (recitative): „Unwounded of his enemies he fell“ Manoa (recitative): „Oh, lastly overstrong“ Micah (air) and Chorus of israelites: „Ye sons of Israel“ – „Weep, Israel“ Manoa (recitative): „Proceed we hence to find his body“ a Dead March – Lentement Micah (recitative): „The body comes“ Manoa (recitative): „There shall all Israel’s valiant youth resort“ Soli & Chorus Manoa: „Glorious hero“ an israelite Woman: „The virgins too“ Chorus of Virgins: „Bring the laurels“ an israelite Woman: „May ev’ry hero“ Chorus of Virgins: „Bring the laurels“ Chorus of israelites: „Glorious hero“ Manoa (recitative): „Come, come, no time for lamentation“ an israelite Woman (air): „Let the bright seraphim“ Chorus: „Let their celestial concerts all unite“ Wir danken der Meisterwerkstätte für historische Tasteninstrumente Volker Platte, 42897 Remscheid/Lennep und dem Atelier für Cembalo- und Hammerflügelbau Frank & Deckers aus Freiburg im Breisgau für die freundliche Bereitstellung der beiden Cembali. 125
RkJQdWJsaXNoZXIy OTM2NTI=